Ridgid Mobility

“Rossmer…seeks out the tension between stability and mobility, (imbuing the) lower, columnar parts …with tonal energy, soaking them in paint. It’s as if they’re warming up, still solid but a launching pad and incubator for what sits on top of them. Pieces such as this… turn the staid forms of traditional sculptural presentation into something generative, as if traditional structure is an egg on the verge of hatching.”

Cate McQuaid
Art Columnist, The Boston Globe